Resume

Exhibitions | PerformancesResidencies | Research | GrantsTeachingPublications (Academic/Scientific) | Publications (Art) | Software | Sound Design | Curatorial | Selected Works

Exhibitions (42)

Solo Exhibitions (8)
    • Soundscapes Landscapes / City Above-Life Below: Kerameikos/Metaxourgeio [by Medea Electronique]. Onassis Cultural Center. Athens, GR (2017).
    • Neural r(E)volution [workshop showcase] @ Sodų 4. Vilnius, LT (2016).
    • Synkopierten @ Ohrenhoch der Geräuschladen. Berlin, DE (2014).
    • Soundscapes/Landscapes [by Medea Electronique] @ Onassis Cultural Center. Athens, GR (2014).
    • Subception @ Q-O2. Brussels, BE (2013).
    • Downtime: post-domestic fiction @ Kokona Buriti 84. Ermoupoli, GR (2012).
    • DownTime: Post Domestic Fiction @ Frown Tails. Athens, GR (2012).
    • Domestic appliances project #1 @ A.S. Rymer Auditorium. York, GB (2009).
Group Exhibitions (26)
    • Impulsion @ Join the Dots​ – Unire le Distanze. Salone degli incanti. Trieste, IT (2018).
    • Objektivisering @ Twelfth International Conference on Tangible, Embedded and Embodied Interactions, Kulturhuset. Stockholm, SE (2018).
    • Inhibition @ Sonic Vibrations: Alien Organs. Spektrum. Berlin, DE (2018).
    • Oiko-nomic Threads @ TETRAMATYKA Festival, National Academy of Fine Arts. Lviv, UA (2017).
    • Inhibition @ DA_Fest, National Academy of Fine Arts. Sofia, BU (2017).
    • Inhibition @ Vorspiel by Transmediale & CTM, Spektrum. Berlin, DE (2017).
    • Inhibition @ Hybrids, curated by Ars Electronica and hosted by the Onassis Cultural Center. Athens, GR (2016-17).
    • Oiko-nomic Threads @ the 19th Contemporary Art Festival Sesc_Videobrasil. São Paulo, BR (2015).
    • Impulsion #4 @ Map of The New Art group exhibition, Fondazione Giorgio Cini. Venice, IT (2015).
    • Oiko-nomic Threads @ 16th WRO Media Art Biennale. Wrocław, PL (2015).
    • It may or may not @ ex-Galerie Barbazanges, 95th anniversary of Satie’s Musique d’Ameublement. Paris, FR (2015).
    • Oiko-nomic Threads [textile exhibition] @ Microsoft Research Studio 99 (ISWC Design Exhibition). Seattle, US-WA (2014).
    • Oiko-nomic Threads [textile exhibition] @ Ars Prix Electronica – Future Innovators Summit group exhibition. Linz, AT (2014).
    • Impulsion #13 @Upmetamatic:taf – . Thessaloniki, GR (2014).
    • Oiko-nomic Threads @ Bozar Centre for Fine Arts – No Country for the Young Men group exhibition. Brussels, BE (2014).
    • Impulsion #13 Up. metamatic:taf. Athens, GR (2014).
    • Oiko-nomic Threads @ Transmediale 14 – Future-Past Past-Future group exhibition, Supermarkt. Berlin, DE (2014).
    • Schizoid Cityscapes (world premiere) @ National Museum of Contemporary Art – Afresh group exhibition. Athens, GR (2013-14).
    • Oiko-nomic-Threads (world premiere) @ National Museum of Contemporary Art – Afresh group exhibition. Athens, GR (2013-14).
    • Peripatetic (listening station) @ Ionian Academy. Corfu, GR (2013).
    • DownTime: Post Domestic Fiction @ Piksel X New Media Festival. Bergen, NO (2012).
    • DownTime: Post Domestic Fiction @ Amber’12 New Media Festival: Paratactic Commons – Çukurcuma Hammam. Istanbul, TR (2012).
    • 17.4 #1 Thessaloniki @ StopoverAction Field Kodra Festival. Thessaloniki, GR (2012).
    • Trevor Jones Studio Sessions #2 (listening station) @ McNeill Street Pumping Station New Music Festival. Shreveport, US-LA (2011).
    • Peripatetic (listening station) @ Tweak festival. Limerick, IE (2010).
    • Dash Dot Dash @ Mirfestival – Melina Merkouri Cultural Center Athens, GR (2008).
Other (9)
    • Akira Takayama’s Heterotopia (Software development by Marinos Koutsomichalis) @ Durub Al Tawaya VI. Abu Dhabi (2019).
    • Yuval Avital’s Variazioni sul tremore armonico (feat. sonifications by Marinos Koutsomichalis) @ Museo Nazionale della Scienza e della Tecnologia “Leonardo da Vinci”. Milan, IT (2017).
    • Shu Lea Cheang’s Mediterranean Tomorrows (Sound design by Marinos Koutsomichalis) @ Tomorrows, Onassis Cultural Center. Athens, GR (2017).
    • Akira Takayama’s Heterotopia (Software development by Marinos Koutsomichalis) @ Fast Forward Festival. Onassis Cultural Center. Athens, GR (2017).
    • Marianne Holm Hansen’s Towards The Mean, Sampling Britishness Today (Software development by Marinos Koutsomichalis) @ the Barbican Centre. London, GB (2016).
    • Maria Paschalidou’s Arbitrariness (software development by Marinos Koutsomichalis) @ Textual, Visual and Digital Cultures Conference, De Montfort University. Leicester, GB (2014).
    • Maria Paschalidou’s Arbitrariness (software development by Marinos Koutsomichalis) solo exhibition @ Beton7. Athens, GR (2013).
    • Maria Paschalidou’s Arbitrariness (software development by Marinos Koutsomichalis) @ Thessaloniki Center of Contemporary Art. Thessaloniki, GR (2012).
    • SOUNDKitchen’ s METAL (using sound material by Marinos Koutsomichalis) @ Supersonic Festival. Birmingham, GB (2011).

Performances (128)

Solo Performances (90)
    • sāk vitt ok vītt of verǫld hverja @ Nátturðabitin, Nordic House Færoe. Tórshavn, FO (2018).
    • sāk vitt ok vītt of verǫld hverja @ Sparkling Sound Festival, Dansekapellet. Copenhagen, DK (2018).
    • Tactics Against Antiquity: Contemporary Ancient Messene @ Tuned City. Ancient Messene, GR (2018).
    • Inhibition @ Spektrum. Berlin, DE (2018).
    • Ramifications In Process (for Z’EV) @ Hommage to Z’EV, Platforme Intermedia. Nantes, FR (2018).
    • Inhibition @ Electracoustic Music Days, Hellenic Electracoustic Music Composers Association, Technological Educational Institute of Crete. Rethymnon, GR (2017).
    • Inhibition @ DA_Fest, National Academy of Fine Arts. Sofia, BU (2017).
    • Metaichmiakó  (for EMS Synthi100) @ Documenta14, Athens Concert Hall (Megaron). Athens, GR (2017).
    • Inhibition @ Vorspiel by Transmediale & CTM, Spektrum. Berlin, DE (2017).
    • Inhibition @ ArtOs Foundation. Nicosia, CY (2016).
    • Music for generalised Weierstrass function, finite state automata, context-free Lindenmayer system & phase modulated blue light @ Electropixel 6, La Platform Intermedia. Nantes, FR (2016).
    • 2500, Ordine geometrico demonstrata: omnis substantia est infinita @ Metanast, Texture. Manchester, GB (2016).
    • Music for variable wavetable oscillators & Walsh function operators @ MultiEECE festival, idryma 2.14. Athens, GR (2015).
    • Music for variable wavetable oscillators & Walsh function operators @ Estúdio Fita Crepe. São Paulo, BR (2015).
    • Music for variable wavetable oscillators & Walsh function operators @ Mayhem. Copenhagen, DK (2015).
    • Music for variable wavetable oscillators & Walsh function operators @ Sparkling Sound Festival, Platform 4. Ålborg, DK (2015).
    • 2500, ordine geometric demonstrata:substantia prior est natura suis affectionibus/omnis substantia est infinita/corpus non terminatur cogitatione nec cogitatio corpore @ European Music Festival, Turkish underground cistern. Chania, GR (2015).
    • 2500, ordine geometrico demonstrata:unumquodque aeternam et infinitam essentiam/corpus non terminatur cogitatione nec cogitatio corpore @ Holotype Editions Showcase, EDW. Athens, GR (2015).
    • 2500, ordine geometrico demonstrata: unumquodque æternam et infinitam essentiam @ Electric Nights Festival, Booze Cooperativa. Athens, GR (2015).
    • Music for variable wavetable oscillators & Walsh function operators @ Studio Loos. Den Hague, NL (2015).
    • Music for variable wavetable oscillators & Walsh function operators @ Athens Science Festival, Technopolis. Athens, GR (2015).
    • Music for variable wavetable oscillators & Walsh function operators @ Apo33, La Plateforme Intermédia. Nantes, FR (2015).
    • Music for variable wavetable oscillators & Walsh function operators @ CMRC 35th Years Anniversary Festival, Space Under. Athens, GR (2015).
    • Bastard Noise #1 @ Electracoustic Music Days. Rethymnon, GR (2015).
    • Music for variable wavetable oscillators & Walsh function operators @ OpenC.A.S.E. 303. Athens, GR (2014).
    • Marinos Koutsomichalis è stato eliminato @ Dome of Visions. Copenhagen, DK (2014).
    • Efterklang @ HeadQuarters. Århus, DK (2014).
    • Efterklang @ Electric Nights festival, Vyrsodepseio. Athens, GR (2014).
    • Sygxysis @ Borderline festival, Onassis Cultural Center. Athens, GR (2014).
    • Efterklang @ Timely  International Conference on Timing and Time Perception, Polytechno. Corfu, GR (2014).
    • Efterklang @ Sparkling Sound Festival, 6 D.O.G.S. Athens, GR (2014).
    • Efterklang (world premiere) @ Φ­öΡΒΙΡΡΙΝΓ 2 extreme electronic music fesival, Fylkingen. Stockholm, SE (2014).
    • Marinos Koutsomichalis è stato eliminato @ Low Resistance festival, Vyrsodepseio. Athens, GR (2013).
    • The Buchla Project live (10.8 version) @ Noise in And as Music Conference, Phipps Hall. University of Huddersfield. Huddersfield, GB (2013).
    • The Buchla Project @ Sparkling Sound Festival, Kuppelsalen Dansekappellet. Copenhagen, DK (2013).
    • The Buchla Project @ Kirkelyd project, Korskirken church. Vallekilde, DK (2013).
    • The Buchla Project @ Implode Festival. Halkida, GR (2013).
    • Moving Silence festival, Goethe Institute. Athens, GR (2013).
    • Audio Plant. Antwerpen, BE (2013).
    • SoundWalk @ Lake Vistonida @ Folk Museum. Xanthi, GR (2013).
    • Marinos Koutsomichalis è stato eliminato @ Electracoustic Music Days festival, Municipal Theater of Kefalonia. Lixouri, GR (2012).
    • The Buchla Project @ A walk in the woods, Frown Tails. Athens, GR (2012).
    • Marinos Koutsomichalis è stato eliminato @ Electric Nights Festival, Beton7. Athens, GR (2012).
    • Marinos Koutsomichalis è stato eliminato & Bastard Noise @ AudioBlast festival #1 [live-streaming to Apo33 (Nantes, FR) & Piksel X (Bergen, NO)].(2012).
    • Marinos Koutsomichalis è stato eliminato @ V22 Summer Club. London, GB (2012).
    • Marinos Koutsomichalis è stato eliminato @ Microwave Warfare, NOISE=NOISE. London, GB (2012).
    • Marinos Koutsomichalis è stato eliminato @ Salon #5 [Meat Bar], Scopitone Club. Paris, FR (2012).
    • Marinos Koutsomichalis è stato eliminato @ KKWNE Web Radio. Paris, FR (2012).
    • Marinos Koutsomichalis è stato eliminato @ Lady Bar. Basel, CH (2012).
    • Marinos Koutsomichalis è stato eliminato(world premiere) @ Cinema Oblo. Lausanne, CH (2012).
    • GareXP. Paris, FR (2012).
    • Sygxysis @ I-R-L, Centre d’ animation mjc Mercoeur. Paris, FR (2012).
    • Å [17.4 audio and light] @ Audiorama. Stockholm, SE (2012).
    • Omigyris [17.4 audio] @ Audiorama. Stockholm, SE (2012).
    • Knot Gallery. Athens, GR (2012).
    • Sygxysis @ NK. Berlin, DE (2012).
    • NOISE=NOISE. London, GB (2012).
    • Afield @ Fylkingen. Stockholm, SE (2012).
    • Anasiseipsychos @ Fylkingen. Stockholm, SE (2012).
    • Sygxysis @ Fylkingen. Stockholm, SE (2012).
    • Sygxysis @ A.S. Rymer Auditorium. York, GB (2011).
    • 26.4 audio performance @ Electracoustic Music Days, Technical University of Crete. Rethymnon, GR (2011).
    • Sygxysis @ Knot Gallery. Athens, GR (2011).
    • Sygxysis @ Polytechno. Corfu, GR (2011).
    • Passegio Sonoro @ WFAE2011 International Conference on Acoustic Ecology, Municipal Theatre of Corfu. Corfu, GR (2011).
    • Sygxysis @ NOISE=NOISE. London, GB (2011).
    • Passeggio Sonoro @ Simposio Internazionale sul Paesaggio Sonoro, Limonaia di Villa Strozzi. Florence, IT (2011).
    • Stazione di Topolo, ToBeContinued. Cyberspace (2011).
    • Cinema Oblo. Lausanne, CH (2011).
    • Afield @ Knot Gallery. Athens, GR (2011).
    • In:Out (private event) [21.1 audio version] @ A.S. Rymer Auditorium. York, GB (2010).
    • Electracoustic Music Days, Municipal Theater of Corfu. Corfu, GR (2010).
    • 2nd conference of Acoustic Ecology, Technical University of Crete. Rethymnon, GR (2010).
    • Malfunctions & Anasiseipsychos @ Expo Leeds Festival, Holy Trinity Church. Leeds, GB (2009).
    • Anasiseipsychos @ Post-Avant-Garde Obló Undergound Festival, Cinema Obló. Lausanne, CH (2009).
    • Anasiseipsychos @ Avoid, Evolution Festival. Leeds, GB (2009).
    • Kellerstiege, g7 studio. Vienna, AT (2009).
    • Offspacecenter. Vienna, AT (2009).
    • City Screen basement bar. York, GB (2009)
    • Logement. Antwerpen, BE (2009).
    • Tetrahedron, Logos Foundation. Gent, BE (2009).
    • FM Brussels Studios. Brussels, BE (2009).
    • Alberto Ukebana gallery. Berlin, DE (2008).
    • Salon Bruit, Lichtblick Kino. Berlin, DE (2008).
    • HD Artists, Second Life game. Cyberspace (2008).
    • MIRfestival, Akis Davis Theatre. Athens, GR (2008).
    • Indolentia @ ElectroMediaWorks 2008 festival. Athens, GR (2008)
    • Kinky Kong. Athens, GR (2008).
    • AshInArt. Athens, GR (2007).
    • Platformes. Athens, GR (2007).
Collective Performances / Collaborations / Ensembles (17)
    • Cinecuisson for ensemble (developped by Z’EV, edited by J. Ottavi, performed by Marinos Koutsomichalis, Kasper Toeplitz, Julien Ottavi, Kazuyuki Kishino) @ Hommage to Z’EV, Platforme Intermedia. Nantes, FR (2017).
    • Duo with Akis Sinos @ European Music Festival, Turkish underground cistern. Chania, GR (2016).
    • Duo with Akis Sinos @ Berlin Soup, Back to Athens. Athens, GR (2016).
    • Trio with Søs Gunver Ryberg and Sofus Forsberg @ Sparkling Sound Festival, Kuppelsalen Dansekappellet. Copenhagen, DK (2013).
    • LLEAPP 13 [Sean Williams, Jan Hendrickse, Adam Linson, Frauke Aulbert, Owen Green, Lauren Hayes, Marinos Koutsomichalis, Amit Patel, Radek Rudnicki, Rob Canning, Christos Michalakos, Emma Lloyd, Jules Rawlinson, Bill Vine] (second performance) @ Inspace. University of Edinburgh. Edinburgh, GB (2013).
    • LLEAPP 13 [Sean Williams, Jan Hendrickse, Adam Linson, Frauke Aulbert, Owen Green, Lauren Hayes, Marinos Koutsomichalis, Amit Patel, Radek Rudnicki, Rob Canning, Christos Michalakos, Emma Lloyd, Jules Rawlinson, Bill Vine] (first performance) @ Inspace. University of Edinburgh.Edinburgh, GB (2013).
    • Duo with Nikos Kyriazopoulos @ A walk in the woods, Frown Tails. Athens, GR (2012).
    • Duo with Anton Mobin @ KKWNE Web Radio. Paris, FR (2012).
    • Duo with Tania Sikelianou @ Cabaret Voltaire. Athens, GR (2012).
    • Duo with Aurellian Munsch @ Cinema Oblo. Lausanne, CH (2011).
    • Trio with Aurellian Munsch & B. Pierrat @ I-R-L, Centre d’ animation mjc Mercoeur. Paris, FR (2011).
    • Duo with Nikos Kyriazopoulos @ Knot Gallery. Athens, GR (2011).
    • Duo with Giorgos Poulios @ MIRfestival, Akis Davis Theatre. Athens, GR (2008).
    • Duo with Giorgos Poulios @ Small Music Theater. Athens, GR (2008).
    • Duo with Manolis Manousakis @ Metallourgio. Athens, GR (2008).
    • Duo with Stelios Romaliades @ Kinky Kong. Athens, GR (2008).
    • Trio with Greg Haines & Stelios Romaliades @ Kinky Kong. Athens, GR (2008).
Score performances / Performances by proxy (21)
    • First study for decentralised machine intelligence @ Electroacoustic Music Days. Lixouri, GR (2016).
    • miniature @ HELMCA – 54 e/a miniatures, Beton7. Athens, GR (2015).
    • Anotropia (or: do violinists dream of Fourier transforms) @ Knot Gallery. Athens, GR (2011).
    • Passeggio Sonoro @ Auditorium Chiti, Istituto Mascagni. Livorno, IT (2011).
    • Sygxysis @ XVIII Festival Internacionalde Música Electroacústica Punto de Encuentro, Club Diario Levante. Valencia, ES (2011).
    • Kinokophonography Night, MadLab. Manchester, GB (2011).
    • Malfunctions #5 @ Broadcasting For Reels: Success Through Failure. Halifax, CA (2010).
    • Kinokophonography Night, MadLab. Manchester, GB (2010).
    • Miniature for oboe solo @ Traverse Theatre. Edinburgh, GB (2010).
    • cHro(m)A #1 @ Ingenuity festiva. Clevalant, US-OH(2009).
    • Ode to Carneades @ the Arches [performed by the Red Note ensemble]. Glasgow, GB (2009).
    • Pandamator (world premiere) @ Sir Jack Lyons Concert Hall [performed by the Chimera ensemble]. York, GB (2009).
    • Ode to Carneades @ Traverse Theatre [performed by the Red Note Ensemble]. Edinburgh, GB (2009).
    • Empyria @ Media Center, University of Massachusetts. Lowell, US-MA (2009).
    • Trio for alto flute, trombone in Bb & cello @ Traverse Theatre [performed by the Red Note Ensemble]. Edinburgh, GB (2009).
    • cHro(m)A #1 @ Antenna gallery. New Orleans, US-LA (2009).
    • Apraxia @ Sir Jack Lyons Concert Hall [performed by J. Mckenzie and P. Fysh]. York, GB (2009)
    • 2009 #2 @ Traverse Theatre [performed by the Red Note Ensemble]. Edinburgh, GB (2009).
    • Ode to Carneades for clarinetto solo @ Sir jack Lyons Concert Hall [performed by J. Murgatroyd]. York, GB (2008).
    • Miniature for violin & clarinet @ WMP Concert Hall [performed by the New York Miniaturist Ensemble]. New York, US-NY (2008).
    • Empyria @ Gallery Pinakothiki [performed by D. Spaneas]. Athens, GR (2007).

Residencies (10)

    • Stories of Flights, Ferries, Fish. various locations, Færoe Islands, FO (2018).
    • Stories of Flights, Ferries, Fish. various locations, Iceland, IS (2018).
    • Tuned City. Ancient Messene, GR (2018).
    • EMS (the Swedish National Centre for Electroacoustic Music and Sound-art). Stockholm, SE (2015).
    • Worm (Instituut voor Avantgardistische Recreatie). Rotterdam, NL (2015).
    • Syros Sound Meetings. Ano Syros, GR (2014).
    • Visby International Center for Composers. Visby, SE (2014).
    • Danish International Visiting Artists Program. Copenhagen, DK (2013).
    • Q-O2. Brussels, BE (2013).
    • EMS (the Swedish National Centre for Electroacoustic Music and Sound-art). Stockholm, SE (2012).
    • STEIM (Studio for Electro-Instrumental Music). Amsterdam, NL (2009).

Research (5)

    • Norwegian University of Science and Technology (NTNU). Department of Computer Science. Post-doc research fellow. Trondheim, NO (2017-8).
    • Università degli Studi di Torino, Centro Interdipartimentale di Ricerca su Multimedia e Audiovisivo. Research fellow. Turin, IT (2013-14).
    • De Montfort University, Music Technology and Innovation Research Centre. PhD in Sound, Music & Media Art (supervised by Prof Simon Emmerson and Dr John Richards). Leicester, GB (2012-15).
    • University of York, Music Research Centre. PhD in Music (transferred to the De Montfort University; supervised by Dr Tony Myatt). York, GB (2010-12).
    • University of York, Music Research Centre. MA by Research in Composition with Digital Media (supervised by Dr Tony Myatt). York, GB (2008-9).

Grants (3)

    • ERCIM “Alain Bensoussan” fellowship grant to pursue post-doctoral research in computational creativity (2017-8).
    • Nordic Council project grant to realise the Stories of Flights, Ferries, and Ships art project.
    • Nordic Culture Fund to realise the Stories of Flights, Ferries, and Ships art project.

Teaching

Academia (3)
    • Cyprus University of Technology. Department of Multimedia and Graphic Arts of the Faculty of Fine and Applied Arts. Lecturer. Limassol, CY (2019-now).
    • University of Wolverhampton. Department of Music, Visiting Lecturer. Wolverhampton, GB (2015/17).
    • Technological Educational Institute of Crete, Faculty of Music Technology and Acoustics. Lecturer. Rethymnon, GR (2010-11).
Institutions (2)
    • Ubique. Class of Sound Synthesis and Electronic Music. Director & lecturer. Athens, GR (2018-9).
    • Contemporary Music Research Center (CMRC-KSYME). Class of Sound Synthesis and Electronic Music. Director & principal lecturer. Athens, GR (2011-5/2017-8).
Supervision (3)
    • Eirik Sanderg (2018). Generating Blues Solos with Variational Autoencoders. Master’s Thesis in Computer Science. Norwegian University of Science and Technology. Trondheim, NO.
    • Einar Hov & Andreas Høgetveit Weisethaunet (2018). Evolving Creative Behaviour in a Multi-Agent Environment. Master’s Thesis in Computer Science. Norwegian University of Science and Technology. Trondheim, NO.
    • Christos Efthymiadis & Konstantinos Kyriakopoulos (2014). Sound Design, Soundtrack, and Voice Overdub of Fragments from the film ‘Hierro’: Composition of Original Music and Realization of all Recordings [in Greek]. BA thesis in Music Technology & Acoustics. Technological Educational Institute of Crete. Rethymnon, GR.
Workshops (27)
    • Inhibition @ Spektrum. Berlin, DE (2018).
    • Inhibition @ DA_Fest. Sophia, BU (2017).
    • Inhibition @ Vorspiel by Transmediale & CTM, Spektrum. Berlin, DE (2017).
    • Inhibition @ Onassis Cultural Center. Athens, GR (2016).
    • Neural r(E)volution @ Sodų 4. Vilnius, LT (2016).
    • Neural r(E)volution @ ElectroPixel 6, La Plateforme Intermédia. Nantes, FR (2016).
    • Mapping the Vortex: Mapping and Visualization with SuperCollider @ Athens Digital Arts Festival. Athens, GR (2016).
    • Sound Synthesis and Algorithmic Music with SuperCollider @ Electronic Nights 2016. Athens, GR (2016).
    • Mapping the Vortex: Mapping and Visualization with SuperCollider @ Estúdio Fita Crepe. São Paulo, BR (2015).
    • Mapping the Vortex: Mapping and Visualization with SuperCollider @ EMS. Stockholm, SE (2015).
    • Mapping the Vortex: Mapping and Visualization with SuperCollider @ Steim. Amsterdam, NL (2015).
    • Mapping the Vortex: Mapping and Visualization with SuperCollider @ Apo33. Nantes, FR (2015).
    • SONIC DIMENSIONS: Sound, Space and Multichannel Audio @ Sound Tectonics. Athens, GR (2014-15).
    • Composing with Field Recordings and Environmental Sounds @ Syros Sound Meetings. Ano Syros, GR (2014).
    • Synthesis with found audio: a hands-on introduction to audio composition @ Sound Tectonics. Athens, GR (2014).
    • Sound Synthesis & Electracoustic Music @ Conservatory of Patras. Patras, GR (2013).
    • Soundwalk @ Lake Vistonida (environmental recording workshop).  Curated by F.E.X., P.A.KE.THRA. & the Delta Nestos Vistonida Ismarida Management Body. Porto Lagos, GR (2013).
    • Interactive granular synthesis @ Frown Tails. Athens, GR (2012).
    • Interfacing with the Vortex (granular synthesis with Supercollider, arduino and analogue sensors) @ Sound/Space – V22 Summer Club. London, GB (2012).
    • SuperCollider Vortex @ Gare XP. Paris, FR (2012).
    • Probing the City: Urban field-recording @ Frown Tails. Athens, GR (2012).
    • SuperCollider Vortex @ Frown Tails. Athens, GR (2012).
    • SuperCollide-Or-Die @ NOISE=NOISE. London, GB (2012).
    • SuperCollider Vortex @ Freies Museum. Berlin, DE (2012).
    • SuperCollider Vortex @ NOISE=NOISE. London, GB (2012)
    • Damn Lab: Creative Coding & Media Art @ Frown Tails. Athens, GR (2011-12)
    • Supercollider in 36 hours @ Platformes. Athens, GR (2008).

Publications (Academic/Scientific)

Monographs (1)
    • Koutsomichalis, M. (2013). Mapping and Visualization with SuperCollider. Birmingham, UK: Packt publishing.
Refereed journal articles (4)
    • Koutsomichalis, M. (to appear). On Catalogue Æsthetics. Acoustic Space, 17.
    • Koutsomichalis, M. (2017). Ad-Hoc Æsthetics: Context-Dependent Composition strategies in Music and Sound Art. Organised Sound, 23/1. Cambridge University Press. DOI: 10.1017/S1355771817000231
    • Koutsomichalis, M. (2016). From Music to Big-Music: Listening in the age of Big Data. Leonardo Music Journal, 26. MIT Press. DOI: 10.1162/LMJ_a_00962
    • Koutsomichalis, M. (2013). On Soundscapes, Phonography, and Environmental Sound Art.  Journal of Sonic Studies, 4(1). University of Leiden.
Refereed book chapters (2)
    • Koutsomichalis, M. & Gambäck Björn (2018). Generative Solid Modelling Employing Natural Language Understanding and 3D Data. In A. Liapis et al. (Eds.) Evolutionary and Biologically Inspired Music, Sound, Art and Design, EvoMUSART 2018. Lecture Notes in Computer Science, vol 10783, pp 95-111. Berlin: Springer. DOI: 10.1007/978-3-319-77583-8_7
    • Koutsomichalis, M. (2016). Catalogue Æsthetics: Database In and As Music. In Kostagiolas, P., Martzoukou, K., Lavranos, C. (eds) Trends in Music Information Seeking, Behavior, and Retrieval for Creativity, pp. 258-277. Hershey, US-PA: IGI-Global. DOI: 10.4018/978-1-5225-0270-8.ch012
Refereed publications in conference proceedings (12)
    • Koutsomichalis, M. & Gambäck Björn (to appear). Evolvable Media Repositories: An Evolutionary System to Retrieve and Ever-Renovate Related Media Web Content. In Proceedings of the Computing Conference (London, UK). Springer.
    • Koutsomichalis, M. & Gambäck Björn (2018). Algorithmic Audio Mashups and Synthetic Soundscapes Employing Evolvable Media Repositories. In Proceedings of the 6th International Workshop on Musical Metacreation (Salamanca, ES).
    • Koutsomichalis, M. (2018). Objektivisering: Text Physicalization and Self-introspective Post-digital Objecthood. In Proceedings of the Twelfth International Conference on Tangible, Embedded and Embodied Interactions (Stockholm, SE). ACM. DOI: 10.1145/3173225.3173301
    • Koutsomichalis, M. & Pournaras, E. (2017). The Sound of Decentralisation: Sonifying Computational Intelligence in Sharing Economies. In Proceedings of the International Symposium on Electronic Art (Manizales, CO).
    • Koutsomichalis, M. & Rodousakis, N. (2015). From (Not-)Doing-It-Yourself to Doing-It-(Cheaper)-With-Others: The rise of a Workshop Culture in the Greek Economic Dystopia. In Proceedings of the Hybrid City 3d International Conference (Athens, GR).
    • Koutsomichalis, M. & Psarra, A. (2015). Computer-aided weaving: from numerical data to algorithmic textiles. In Ng, K., Bowen, J.P., Lambert Ν. (eds) Proceedings of the Electronic Visualisation and the Arts (EVA) Conference (London, GB) pp. 122-123.
    • Koutsomichalis, M. & Valle, A. (2014) SoundScapeGenerator: soundscape modelling and simulation. In Proceedings of XX Colloquio di Informatica Musicale (Rome, IT). Venezia, IT: Università IUAV di Venezia.
    • Valle, A., Koutsomichalis, M. & Casu, M. (2014). Imaginary Soundscapes: the SoDA Project. In Proceedings of the AudioMostly Conference (Ålborg, DK). New York, US-NY: ACM. DOI: 10.1145/2636879.2636885
    • Koutsomichalis, M. Psarra, A. & Varela, M. (2014). Oiko-nomic Threads. In Proceedings of the ACM International Symposium on Wearable Computers (Seattle, US-WA). New York, US-NY: ACM. DOI: 10.1145/2641248.2641281
    • Valle, A., Armao, P., Casu, M. & Koutsomichalis, M. (2014). SoDA: A Sound Design Accelerator for the automatic generation of soundscapes from an ontologically annotated sound library. In Proceedings of the International Computer Music Conference (ICMC) | Sound & Music Computing (SMC) Joint Conference (Athens, GR). San Francisco, US-CA: ICMC.
    • Koutsomichalis, M. (2014). Επιτόπιες Ηχογραφήσεις και Ηχοπερίπατοι στην Δευτεροβάθμια Εκπαίδευση: Μία Περιπτωσιολογική Μελέτη στην Λίμνη Βιστωνίδα. [Field Recording and Soundwalking Practices in Secondary Education: A case study in Lake Vistonida Wetland] 3d HSAE Conference for Acoustic Ecology (Athens, GR). Athens/Corfu, GR: Hellenic Association of Acoustic Ecology.
    • Koutsomichalis, M. (2011). Site Specific Live Electronic Music: a sound-artist’ s perspective. In Proceedings of the Electroacoustic Music Studies Conference (New York, US-NY). New York, US-NY: EMS.
Journal articles (non-refereed) (1)
    • Koutsomichalis, M. (2010). Domestic appliances project #1. eContact! 12:3.
Talks at conferences and symposia (10)
    • Koutsomichalis, M. & Gambäck Björn (2018). Generative Solid Modelling Employing Natural Language Understanding and 3D Data. 7th International Conference on Computational Intelligence in Music, Sound, Art and Design (Parma, IT).
    • Koutsomichalis, M. & Pournaras, E. (2017). Making sharing economies more sustainable. Scientifica (Zurich, CH).
    • Koutsomichalis, M. (2016). On Catalogue Æsthetics. OpenFields Conference (Riga, LV).
    • Koutsomichalis, M. (2016).  Networking, emergence, transience and the post-self.  Conference et exchange on networked art and new online diffusion technology, 2d Nantes Electronic Art Recontre (Nantes, FR).
    • Koutsomichalis, M. (2015). Rhizomatic Soundscapes: In Quest of an Ontological Schema. Gilles Deleuze and Félix Guattari: Refrains of Freedom International Conference (Athens, GR).
    • Koutsomichalis, M. (2015). Contemporary Music, Sound & Science. Athens Science Festival (Athens, GR).
    • Koutsomichalis, M. Psarra, A. & Varela, M.  (2013). Oiko-nomic Threads. Creativity Conference: Open & Economically Sustainable Models of Creative Production (Athens, GR).
    • Koutsomichalis, M. Audacity, Sox & SuperCollider. #Οpen, Creative Commons (Athens, GR).
    • Zannos, I. & Koutsomichalis, M. (2013). Sound Synthesis with SuperCollider. Open Source Software Applications (Athens, GR).
    • Koutsomichalis, M. (2010). Ek-static Space (in Greek) 2nd HSAE conference of Acoustic Ecology (Rethymnon, GR)
Conference posters (2)
    • Koutsomichalis, M. & Gambäck Björn (2018). Generative Solid Modelling Employing Natural Language Understanding and 3D Data. 7th International Conference on Computational Intelligence in Music, Sound, Art and Design (Parma, IT).
    • Koutsomichalis, M. Psarra, A. & Varela, M. (2014). Oiko-nomic Threads. Subtle Technologies Festival Symposium (Toronto, CA).
Conference performances/exhibitions (6)
    • Koutsomichalis, M. (2018). Tactics Against Antiquity: Contemporary Ancient Messene [Hybrid peripatetic lecture and performance]. Tuned City (Ancient Messene, GR).
    • Koutsomichalis, M. (2018). Objektivisering [artefacts exhibition]. Twelfth International Conference on Tangible, Embedded and Embodied Interactions (Stockholm, SE).
    • Koutsomichalis, M. (2014). Efterklang [performance]. Timely International Conference on Timing and Time Perception (Corfu, GR).
    • Koutsomichalis, M. (2013). The Buchla Project: interrogating a modular system [performance]. Noise in and as Music Symposium (Huddersfield, GB).
    • Koutsomichalis, M. (2011). Passeggio Sonoro [performance]. WFAE International Conference on Acoustic Ecology (Corfu, GR).
    • Koutsomichalis, M. (2011). Passeggio Sonoro [performance]. Simposio Internazionale sul Paesaggio Sonoro (Florence, IT).
Theses (2)
    • Koutsomichalis, M. (2015). A Hypermedia and Project-based Approach to Sound, Music & Media Art [Doctoral thesis]. De Montfort University. Leicester, GB.
    • Koutsomichalis, M. (2010). Blurring [Master dissertation]. University of York. York, GB.
Invited Talks (10)
    • Koutsomichalis, M. (2018).  Computational Creativity, Art & Technology, and Computational Aesthetics. RISE SICS AB. Stocholm, SE.
    • Koutsomichalis, M. (2018). Art & Technology, Computational Aesthetics, Computational Creativity, Dataesthetics. Foundation For Research and Technology. Heraklion, GR.
    • Koutsomichalis, M. (2017). Listening Data – Composing Data – Generating Data. Audio Engineering Society. Birmingham, GB.
    • Koutsomichalis, M. (2015). Music & Code: Programming Languages, Algorithms and Contemporary Trends in Computer Music. Audio Engineering Society. Birmingham, GB.
    • Koutsomichalis, M. (2015). Artist talk. Apo33. Nantes, FR.
    • Koutsomichalis, M. (2014). Artist talk. Class of Computational Media and Interactive Art, School of Fine Arts. Athens, GR.
    • Koutsomichalis, M. (2013). Artist talk. Folk Museum. Xanthi, GR.
    • Koutsomichalis, M., Varela, M. & Psarra, A. (2012). Downtime: Post-domestic Fiction. Faculty of Product and Systems Design Engineering, University of the Aegean. Ermoupoli, GR.
    • Koutsomichalis, M. (2012). Artist talk. Department of Sound Studies, Universität der Künste. Berlin, DE.
    • Koutsomichalis, M. (2011). Artist talk. Department of Performance & Digital Arts, De Montford University. Leicester, GB.
Other (1)
    • Valle, A. (2015). Introduction to SuperCollider [Introduzione a SuperCollider]. Translated from Italian by Koutsomichalis, M. and Valle, A. Berlin, DE: Logos Verlag.

Publications (Art)

Discography (16)
    • Koutsomichalis, M. (2018). York Minstrel 05​-​2009 [Digital Stream]. Athens, GR: Stars move leaving dust and sound behind them by Noise-below.
    • Koutsomichalis, M. (2015). Ereignis [LP]. Athens, GR: Holotype Editions.
    • Koutsomichalis, M. (2015). Miniature. In 54 Electracoustic Miniatures [cd]. Rethymnon, GR: HELMCA.
    • Koutsomichalis, M. & Z’EV (2014). Ramifications [dvdr]. Athens, GR: Agxivatein.
    • Koutsomichalis, M. & Remond, K. (2014). Audio Field Report no.19 [cassette]. Berlin, DE: Ohrenhoch der Geräuschladen.
    • Koutsomichalis, M. (2013). Soundwalk at lake Vistonida [cdr]. Xanthi, GR: Chrysallida.
    • Koutsomichalis, M. (2013). 06’16” in Audio Arts Series [digital download]. Madrid, ES:  Reductive Music.
    • Koutsomichalis, M. (2011). in-out [digital download]. Madrid, ES:  Reductive Music.
    • Koutsomichalis, M. (2011). 3 Studies for Environmental Recordings, VCS3 and Studio Response [cdr]. Nancy, FR: UzuSounds.
    • Koutsomichalis, M. (2011). Passeggio Sonoro. In A wold of SoundScapes [DVD]. Livorno, IT: A&G.
    • Koutsomichalis, M. (2009). Malfunctions [cdr/audio-dvd]. Athens, GR: Agxivatein.
    • Koutsomichalis, M. (2009). Peripatetic [cdr].Athens, GR: Agxivatein.
    • Koutsomichalis, M. (2009). Trevor Jones Studio Sessions vol I [cdr].Athens, GR: Agxivatein.
    • Koutsomichalis, M. (2009). Anasiseipsychos [cd]. London, GB: Entr’acte.
    • Koutsomichalis, M. (2009). cHro(m)A [cdr]. Athens, GR: EchoMusic.
    • Koutsomichalis, M. (2008). untitled In untitled [3” cdr]. Athens, GR: KinkyKong.
Selected exhibition catalogues (8)
    • 19th Contemporary Art Festival Sesc_Videobrasil Selected Works. Videobrasil, São Paolo, BR (2015).
    • Greece: Traces of Today. Contemporary Artists From Greece. Imago Mundi. Luciano Benetton Collection. Fabrica. Villorba, IT (2015).
    • 16th WRO Media Art Biennale. Wrocław, PL (2015).
    • You may or may not be, Modelab. Paris, FR (2015).
    • No Country for the Young Men, Bozar Center for Fine Arts. Brussels, BE (2014).
    • Future-Past Past-Future, Transmediale14. Berlin, DE (2014).
    • Afresh, Greek National Museum of Contemporary Art. Athens, GR (2013).
    • Stopover, Action Field Kodra. Thessaloniki, GR (2012).

Software (10)

    • Heterotopia | Abu Dhabi (mobile app for Interactive Cityscape Installation) [java, swift, C++11] for Akira Takayama’s artwork. Abu Dhabi, AE / Heraklion, GR (2018-9).
    • Real Time Midi Auto-Tuner  (audio app) [SuperCollider]. Commissioned by Alessio D.G. Trondheim, NO (2018).
    • Heterotopia | Piraeus (mobile app for Interactive Cityscape Installation) [java, swift, C++11]. Commissioned by Onassis Cultural Center for Akira Takayama’s artwork. Athens/Heraklion, GR (2017).
    • Motion_to_MIDI_Bridge (parser) [python] Commissioned by Ilario Meandi. Heraklion, GR and Turin, IT (2016).
    • Inhibition (Brain Computer Interface) [C++14, SuperCollider]. Heraklion, GR (2016).
    • Towards The Mean, Sampling Britishness Today (Interactive Installation) [C++14/OpenGL/OpenCV/Boost] Commissioned by Marianne Holm Hansen. Athens/Heraklion, GR and London, GB (2016).
    • So.D.A. (Sound Design Accelerator) [SuperCollider] Developed during Research Fellowship @ the University of Turin. Turin, IT (2013-2014).
    • Oiko-nomic Threads (Interactive Installation) [C++14/OpenCV/Boost]. Athens/Heraklion, GR (2013/15).
    • DownTime: Post Domestic Fiction (Interactive Installation) [SuperCollider/C]. Athens, GR (2012).
    • Arbitrariness (Interactive Installation) [C++/OpenGL] Commissioned by Maria Paschalidou. Athens, GR (2011).

Sound Design (2)

    • Variazioni sul tremore armonico (Installation) by Yuval Avital. Feat. sonifications by Marinos Koutsomichalis. Milan, IT (2017).
    • Mediterranean Tomorrows (Interactive Installation) by Shu Lea Cheang. Athens, GR (2017).

Curatorial (18)

    • CMRC 35th Anniversary festival @ Space Under. Athens, GR (2014).
    • Ksyme Class Live @ Senza. Athens, GR (2014).
    • Sparkling Sound Festival @ 6 D.O.G.S. [curated by Marinos Koutsomichalis, Morten Carlsen & Jørgen Teller, with the support of the Danish Institute of Athens]. Athens, GR (2014).
    • ΦöΡΒΙΡΡΙΝΓ 2 – extreme electronic music from Robin McGinley, Marinos Koutsomichalis and Alvin Lucier @ Fylkingen [curated by Robin McGinley & Marinos Koutsomichalis]. Stockholm, SE (2014).
    • Subception (site-dependent installation) by Marinos Koutsomichalis @ Q-O2 [Curated by M. Koutsomichalis & Q-O2]. Brussels, BE (2013).
    • Class of Sound Synthesis and Electronic Music @ Contemporary Music Research Center (CMRC-KSYME). Athens, GR (2011-2014).
    • John Cage’s 33 1/3 @ Knot Gallery. Athens, GR (2012).
    • Xenakis & Co (Iannis Xenakis vs contemporary Greek composers) @ Audioroama [Curated by M. Koutsomichalis & R. McGinley]. Stockholm, SE (2012).
    • ΦöΡΒΙΡΡΙΝΓ – extreme electronic music from Robin McGinley, Marinos Koutsomichalis and Johannes Bergmark @ Fylkingen [curated by Robin McGinley & Marinos Koutsomichalis]. Stockholm, SE (2012).
    • Francisco Lopez & Z’EV @ Knot Gallery. Athens, GR (2010).
    • Marinos Koutsomichalis’ Domestic Appliances project #1 @ A.S. Rymer Auditorium. York, GB (2009).
    • Ricardo da Silva @ WATCH #5, A. S. Rymer auditorium. York, GB (2009).
    • S. Brakhage’s Dog Star Man @WATCH #4, A. S. Rymer auditorium. York, GB (2009).
    • American video art @ WATCH #3, A. S. Rymer auditorium. York, GB(2009).
    • Francisco Lopez’ s La Selva @ LISTEN #1, A. S. Rymer auditorium. York, GB (2009).
    • 20s-30s experimental cinema @ WATCH #2, A. S. Rymer auditorium. York, GB (2009).
    • P. Tscherkassky @ WATCH #1, A. S. Rymer auditorium. York, GB (2009).
    • Supercollider in 36 hours workshop @ Platformes. Athens, GR (2008).

Selected Works (56)

    • sāk vitt ok vītt of verǫld hverja (Hybrid performance | film: bespoke hardware & software, text prints, found rocks, data, video/audio recordings, photography). Iceland (2018).
    • Tactics Against Antiquity: Contemporary Ancient Messene (Hybrid soundwalk performance: audio, tactical silence, RF analyser, bespoke VLF receiver, portable loudspeaker, text). Ancient Messene, GR (2018).
    • Ramifications In Process (for Z’EV) (Audio performance: organ recordings, digital sound processing). Heraklion, GR & Nantes, FR (2017).
    • Objektivisering (Series of Objects: Natural Language Understanding, big 3D data, computational solid modelling, 3D-printing). Trondheim, NO & Manizales, CO (2017).
    • Metaichmiakó (Audio: EMS Synthi100). Athens, GR (2017).
    • Soundscapes Landscapes / City Above-Life Below: Kerameikos/Metaxourgeio (Hybrid interactive urban installation: found urban area, environmental audio/video recordings, interviews, text, audio/video composition and processing, narration, software development, GPS tracking data, smartphones, audio/video processing, spoken work. In Collaboration with the Medea Electronique collective)Athens, GR (2016/17)
    • Studies in decentralised intelligence (Data sonification). Zurich, CH and Heraklion, GR (2016/17).
    • Inhibition (Installation, Performance, Workshop: electronics, programming, 3d-printed parts, headphones, micro-computer, audio). Athens and Heraklion, GR (2016).
    • Neural r(E)volution (DIWO workshop). Vilnius, LT and Nantes, FR (2016).
    • Inhibition (Audio/Wearable/DIWO workshop). Heraklion/Athens, GR (2016).
    • 2500, ordine geometrica demonstrata (Audio Database/Performance: ARP 2500 modular synthesiser). Rotterdam, NL (2015).
    • Music for generalised Weierstrasse function, finite state automata, context-free Lindenmayer system & phase modulated blue light (Audio & Light Installation: Generalised Weierstrasse Function, 2 Finite State Automata, Context Free Lindenmayer System, 4 Blue Light Fixtures, 4ch P.A. System). Heraklion, GR & Amsterdam, NL (2015).
    • It may or may not (Audio Installation: computer-generated sound). Paris, FR / Heraklion, GR (2015).
    • Music for variable wavetable oscillators & Walsh function operators (Audio(visual) performance/Installation: 12 variable wavetable oscillators, 12 Walsh Function operators, Lissajous phase-shift scoping, 6 loudspeakers, 1-6 colour projectors). Rome, IT / Heraklion, GR (2014).
    • Synkopierten (Sound installation: Buchla modular synthesiser). Berlin, DE (2014).
    • Syra Sonora  (Audio: Environmental recordings). Ano Syros, GR (2014).
    • Duet (bow, cymbal, vocals, recorded inside a well). In collaboration with Viv Corringham. Ano Syros, GR (2014).
    • Syra Sacra (Audio: on-location recording). In collaboration with N. Rodousakis. Ano Syros, GR (2014).
    • Impulsion (Computer-generated imagery: Apple CoreImage framework, computer programming, nominal white-colored pixel). Athens/Heraklion, GR (2014).
    • Efterklang (Audio: 0dbfs audio impulse, t.c. electronic system 6000 mk2 mainframe with remote CPU & TC ICON, computer programming, custom made serial usb controller, loudspeakers, subwoofers). Visby, SE (2014).
    • Soundscapes/Landscapes (Hybrid interactive urban installation: found urban area, environmental audio/video recordings, interviews, text, audio/video composition and processing, narration, software development, GPS tracking data, smartphones, audio/video processing, spoken work. In Collaboration with the Medea Electronique collective). Athens, GR (2013)
    • Oikonomic Threads (Installation: knitting machine (Brother kh-950i), micro-controller, programming (c++), computer(s), 2 LCD screens, wires, colored threads, open financial data, Greek folk motifs, performer.  In collaboration with A. Psarra & M. Varela). Athens, GR (2013)
    • Schizoid Cityscapes (Site-dependent sound-walk installation: found urban environment, binaural cityscape recordings, portable mp3 players, headphones, printed map and text). Copenhagen, DK / Athens, GR (2013).
    • LLEAPP 2013 (Site-specific collective improvised performance/installation: diy modular synthesizer, diy electronics, computer programming, augmented drum-kit, laptops, vocal performer, violin, double bass, various synthesizers and  sound modules, guitar, music director, loudspeakers, found objects, microphones. In collaboration with Jan Hendrickse, Sean Williams, Jules Rawlinson, Lauren Hayes, Owen Green, Christos Michalakos, Emma Loyd, Adam Linson, Radek Rudnicki, Rob Canning, Frauke Aulbert, Bill Vine, Amidt Patel). Endinbourgh, GB (2013). 
    • Subception (Site-dependent installation: computer-generated audio and video signals, color projector, vellum-paper, light-proof space, wall partition, 4 midfield monitor loudspeakers, 1 subwoofer, computer programming, chairs, haze-machine). Brussels, BE (2013).
    • SoundWalk @ Lake Vistonida (Audio: Lake Vistonida wetland, audio recording equipment and paraphernalia, custom software, loudspeakers). Xanthi/Porto Lagos, GR (2013). 
    • The Buchla Project  (Database of audio: Buchla modular synthesizer). Stockholm, SE (2012/13).
    • 14.7 #1 Thessaloniki  (site-specific reactive sound installation; 14 PVC pillars, 7  oval-shaped 10W speakers, wood, custom-made amplifiers, found audio, aluminum foil, 270m of cable, white paint.  In collaboration with M. Varela & K. Vafeiadou). Athens/Thessaloniki, GR (2012).
    • Bastard Noise  (2 channel audio: Buchla modular synthesizer, computer-generated audio and control signals, computer programming). Stockholm, SE (2012).
    • Marinos Koutsomichalis è stato eliminato  (Database of audio: Serge modular system). Stockholm, SE (2012).
    • Å  (site-specific sound performance: Audiorama acoustic space, 17 loudspeakers in dome configuration, 4 subwoofers, LED wall washers, Serge Modular, lighting playback controller). Stockholm, SE (2012).
    • Ramifications (organ, digital processing). In collaboration with Z’EV. London/York, GB (2011-12).
    • DownTime: Post Domestic Fiction  (Interactive installation: micro-controller, miscellaneous appliances, hardware hacking, computer-generated audio and video signals, amplifier, loudspeaker(s), cables, software development.In collaboration with I. Aggelopoulou, M. Varela, N. Georgakopoulou, V. Korakidou, A. Lyras, A. Psarra). Athens, GR (2011-12)
    • Software development for M. Paschalidou’s interactive photo installation Arbitrariness. Commissioned by M. Paschalidou. Heraklion, GR (2011)
    • Anotropia (or: do violinists dream of Fourier transforms ?)  (Hybrid music performance: violinist, music score, unattended computer, condenser microphone, 5 loudspeakers, software development). Athens/Heraklion, GR (2011).
    • Duo  (Music performance: score, 2 Clarinets in Bb, 2 clarinetists). Heraklion/Rethymnon, GR (2011).
    • Out:In  (Sound installation: 4 loudspeakers, pair of headphones, computer, software development, smartphones, recordings of video signals and modular synthesizers). York, GB (2011).
    • Sygxysis  (Audiovisual performance: computer-generated signal, waveform projection (red/black), performance grade loudspeakers, subwoofers, programming). Heraklion, GR (2011).
    • Passegio Sonoro  (Soundscape composition: wnvironmental recordings, full-sphere ambisonics configuration of at least 8 loudspeakers, computer programming, amplification). Rethymnon, GR (2011).
    • In:Out  (Site-dependent sound performance/installation: computer-generated audio, b-format environmental recordings, doepfer A-100 modular system, ambisonics rig of at least 8 speakers, additional loudspeakers and subwoofers, software development, hardware controller). York, GB (2010).
    • 3 studies for environmental recordings, VCS3 and studio response  (2 channel audio: VCS3 modular synthesizer, 4 geneleck 8050A, geneleck 7060B, environmental recordings, 2 DPA 4060, 2 dolphin-ear pro hydrophones, miscellaneous other microphones and recorders, studio feedback). Athens, GR (2010).
    • Miniature (Music performance: score, oboist). Athens, GR (2010).
    • Malfunctions  (2 channel audio: found electronic appliances, induction coils, custom made electromagnetic transducers/ultrasonic receivers/hydrophones and other transducers, miscellaneous hardware hacks and bricolages, air/marine band receiver). Athens, GR (2009-10).
    • Domestic appliances project #1  (Site-specific installation: domestic freezer, custom-made contact microphones and induction coils, condenser microphone, mixing desk, 5 genelec 1037C loudspeakers, geneleck 7060A subwoofer, amplification, cables, the AS Rymer Auditorium). York, GB (2009).
    • Peripatetic  (2-channel audio: cityscape recordings from Amsterdam, Athens, Berlin, York, London, Vienna, Brussels, Gent, Antwerp, Liverpool, Leeds and from various means of transportation in and between those cities, miscellaneous microphones and digital solid-state recorders). York, GB / Other (2009).
    • Trio  (Music performance: score, alto flute, trombone in Bb, cello, performers). Athens, GR (2009).
    • Trevor Jones Studio Sessions  (2-channel audio: computer-generated audio, Lexicon TC6000, 2 rode A-100, 2 Neumann U-87, Soundfield ST-250, Trevor Jones Studio, programming). York, GB (2009).
    • Apraxia  (Music performance: score, basso clarinetto, double bass). York, GB (2008).
    • Tyflosis  (2-channel audio: environmental recordings, metal objects, vocalizations). York, GB (2008).
    • cHro(m)A  (2-channel audio: found machines and engines, induction coils, recorder). Athens, GR (2008).
    • Ode to Carneades  (Music performance: score, clarinet in Bb, performer). Athens, GR (2008).
    • Dash dot dash  (Site-specific sound installation: dvd-player, 5 loudspeakers, subwoofer, amplification, cables,programming, the Melina Merkouri Cultural Centre. in collaboration w/ N. Kyriazopoylos, G. Poulios, N. Papaspyrou). Athens, GR (2008).
    • Indolentia  (8-channel audio: computer-generated audio, programming). Athens, GR (2008)
    • Anasiseipsychos  (Sound performance: 16 sine-tone generators, arbitrary number of more than 2 loudspeakers, amplification). Athens, GR (2007).
    • Oneidos  (Algorithmic composition: computer-generated audio, programming). Athens, GR (2006).
    • Antichristos  (2-channel audio: tapes, objects, narration and various instruments). Athens, GR (2002).
    • From obscurity to where electric lights fade (Music performance: electric guitar and computer). Athens, GR (1999).