exploration | anarchive | sound | instrument

2500, ordine geometrico demostrata

By: Marinos Koutsomichalis
The audio output of a series of attempts to erase oneself in/through an ARP 2500 modular synthesiser and vice versa.
exploration | anarchive | sound | instrument

2500, ordine geometrico demostrata

The audio output of a series of attempts to erase oneself in/through an ARP 2500 modular synthesiser and vice versa.

By: Marinos Koutsomichalis

Materials:
ARP 2500 Modular Synthesiser

Duration:
4h:27m:00s

Produced by:
Marinos Koutsomichalis

Produced at:
Worm, Rotterdam, NL
EMS, Stockholm SE (editting)

Produced in:
2015

Documented by:
Marinos Koutsomichalis

The ARP 2500 is legendary vintage monophonic analog modular synthesiser equipped with a set of sliding matrix switches above each module to interconnect them with one another. It is the first product of ARP Instruments Inc.; several such synthesisers have been built from 1970 to 1981 (the year the artist has been born). Even if the 2500 has been proved to be a reliable and user-friendly machine, it failed commercially – selling just about 100 units. Its successor, the ARP 2600, comprises a collection of the its most popular modules yet leaving out the matrix switching and the more esoteric functions of the 2500.

The artist committed to creatively explore Worm’s ARP 2500 over a period of several days. Rather than experimenting with unorthodox strategies (as the he largely did with the Buchla or with the Serge) he resorted on the very fundamentals of sound synthesis: carefully thought-of configurations, long rudimentary forms, organic rhythmical patterns, minimal user-interaction.

There is no mind-machine duality. Mind thinks through the machine and the machine thinks through mind. Mind acts through the machine and the machine acts through the mind. Mind is erased in the machine and the machine is erased onto mind.

‘2500, ordine geometrico demostrata’ resulted in approximately 4½ hours of audio, in 6 parts:

  • Corpus non terminatur cogitatione nec cogitatio corpore
  • Essentia existentiam est existens
  • Omnia quæ sunt in alio sunt
  • Omnis substantia est infinita
  • Substantia prior est natura suis affectionibus
  • Unumquodque æternam et infinitam essentiam exprimit

These recordings comprise an archive of sound matter that has pollinated a few other endeavours on a number of occasions. An excerpt from ‘Corpus non terminatur cogitatione nec cogitatio corpore’ appears in ‘Φöρβιρρινγ (2000-20)‘ while parts of the rest tracks have been selectively employed in live performances.

 

Events
  • Performance, Metanast. Texture. Manchester, UK. (2016)
  • Performance, European Music Festival. Turkish underground cistern. Chania, GR. (2015)
  • Performance, Holotype Editions Showcase, EDW. Athens, GR. (2015)
  • Performance, Electric Nights Festival, Booze Cooperativa. Athens, GR. (2015)